AKG 480/ck63* > Edirol UA-5 (digi-mod) > Nomad Jukebox 3 @ 44.1k.
*XY, 90 degrees, clamped to rail ~8 feet high; ~15 feet from stage.
Original recording and transfer by Dave Pecoraro (
dave@thebreakfast.info):
Nomad Jukebox 3 > Firewire > Nomad Explorer > Sony Sound Forge 7.0 (normalization)
Taped by dave
AKG 414XLS/ST (cards, DIN) >UA-5 (Oade digi-MOD) 24/48 >VX Pocket 440 >Sony Vaio PCG-GRS700k > Wavelab 5.0
Transfer: Wavelab 5.0 (16Bit/44.1khz) UV22HR >CD WAV Editor >FLAC 1.7.1
Taped by Mike Deary & Kyle Holbrook
Some things I consider before before deciding "what sounds better" or "what makes a better recording" or "whats a better mic"
1. mic placement in the venue:
Dave:clamped to rail ~8 feet high; ~15 feet from stage
Mike: Unknown?
a. left/ right bias (one channel louder than the other). althought the venues pa could have a bias
b. accurate reproduction of the soundstage or image (mic pattern and stereo position)
c. amount of audience in the recording
d. onstage recording vs back of room
2. natural room acoustics vs direct miking
3. mic preamps and digital to analog converters - looks like mike and dave used the the same model pre/a/d.
4. frequency response - more times than not this is dependent on the venue\'s sound system and the band\'s equipment, size of room, board mix and effects/compressor/eqs/pan/etc..
bass frequencies - boomy vs dry
mid frequencies - intelligibility vs muddiness of vocal and instruments
high frequencies - clear, crisp vs muffled,flat
5. playback system
boom box, car, headphones, movie theater, home theater, home stereo, recording studio monitors
the same recording can sound great on one and crappy on another. but the best recordings sound good on all systems.
6. personal preferences
7. price bias
ok, whats my choice? have not listened to both.