No thread for this yet so I\'m makin\' one.
I think this song\'s a near-instant classic. Saw the debut @ Iron Horse and was totally diggin the opening riff as well as Tim\'s fast rhythm guitar "Gladys-like section"... saw some room for growth and refinement in the song but I was confident the heady brahs in Breakfast would only be playing this better and better with more practice. The next night @ Higher Ground I wasn\'t there but hearing the tapes I could tell this song was taking off.
Mill Street version really nails it! Adrians drumming was super intricate, Jordan\'s locked in, Dangle lays down an undeniable groove, and Tim sounds way more confident slaying the guitar on it. The transition into the jam is fantastic! The jam itself moves along at the most proper pace.
Really I could care less if the band doesn\'t come out with that many new songs... when we\'re talking about songs like Existential Funk, Rush, Metropolis, Synergy, Tunage... these are heavy mofuckin\' hitters. Rather have the band take the time to keep coming out with fire new songs then be like Phish and release 2 CD\'s of mostly boring snoozefest anthems in one year.
Stuff that might make Existential Funk even more fire... (since it\'s new, what the heck)..
- Jam out the superfast rhythm / megafunk section like 4x as long. Maybe not every time? I can\'t get enough of this stuff though. It\'s what makes Gladys and Score kick ass.
Ahh that\'s all I can think of besides the vocals which I think are pretty great and will probably just get way better the more times they play it.
Existential Funk -- that\'s my groove yo! Baller songwriting Chris. Ash likes it just as much as I do, she was asking what it was when I was playing it last night.
Play it at Sullys!