Would it not be possible to re-package the music of the more cutting edge jam artists, tailoring to the appeals of a larger audience? Strip 75% of the running time and re-work into a marketable product. I\'m sure it is possible for a few, particularly those flirting with the frontier of electronic innovation. Mainstream people do not understand the jams and on occasion, I find myself short of the patience to sit through 15 minutes of content for 3 minutes of musical bliss (contingent on the song/artist).
Not worth the cost. Not to mention, who would you sell it to since you would loose your core audience. I like the way you are thinking though. More of that needs to happen in your community.
Bands can be comfortable without sucking the teet of the music industry. Jambands like Umphrey\'s, moe. and Bisco are perfect examples. Are they millionaires? Probably not. Do they more or less have full creative control of their output, and make a living off of doing what they love the most. YES! Is that all that should matter??? YES!!
Trey, "you" are flat wrong. Without the music industry, there would be no jamband scene. Have you ever thought about who distributes the music you listen to you? Or who owns the venues that you see music in? All of these companies are apart of the industry in one form or another.
"Jambands like Umphrey\'s, moe. and Bisco are perfect examples. Are they millionaires? Probably not."
Not even close!!!! How many times have you heard their music on a TV show or in a movie? More then likely zero. So their Music Publishing is not making them what it could. Mainstream consumers want short hip songs that sell. These bands DO NOT make that type of music; hence they will never have the mainstream appeal or the bank account to match it.
There are a lot of major label bands that I work with everyday that have artistic control. Just look at Kelly Clarkson, she wrote her new album and had control over it. The Old Man could not even stop her. Even though he slammed her on Idol.
Bottom line is that Jambands are not mainstream bands. They are a sub-culture that has little to no impact on my bottom lines. Be a fan and enjoy the music. Just do not look for the success that you want them to have.
yeah, you still don\'t get it. Sure it\'s a give and take between the industry and growing bands. But my point is MONEY should not be the driving force in playing music for a living. As far as I\'m concerned those jambands who don\'t chart on your fabricated radar of bullshit are success stories because live music is their career. Plain and simple. They have great management and booking.
YOU want to sell records. YOU look at them as buzzwords to throw around at your overpriced, psuedo Spago luncheons. I look at them as artists. They want to play live music for a living and release an album because it\'s THEIR creation, not YOURS.
Also, Umphrey\'s song "Uncle Wally" was featured as background music on Alias. Do your research.
That is all. That is all. That is all.
Money should not be the driving force? You would get laughed out of a board meeting with that line. How am I going to justify to my shareholders that we are not looking to make a profit?
"fabricated radar of bullshit" - Thats a good one. Just enjoy the music Trey and
STOP pretending you know how how to run a label or build a band.
Just for the record. Spago is not for lunch, it\'s for dinner. For lunch it\'s The Grill, but that\'s only during the week. Would you like to chime in with any other assumptions? "it\'s THEIR creation, not YOURS" - The label owns the masters when they sign. If the band is smart they kept their publishing and hired an agent to shop their songs.
Also, Umphrey\'s song "Uncle Wally" was featured as background music on Alias. Do your research.
You are about the only person who knows that was the band. It DID NOTHING for their sales. Would you like to see the Soundscan reports?
Want to play hardball, Why are they not a VCast Band yet?
Not even close!!!! How many times have you heard their music on a TV show or in a movie? More then likely zero.
Using that logic, I\'d have to say "Psychedelic Breakfast" "made" it then.
And while most of your points have been good and insightful, I just don\'t see how "making it" as anything to do with making millions of dollars. Not all people are money hungry ****, ya know. My definition of seeing this band "make it" has nothing to do with them making millions of dollars with their music; but more or less being allowed to make a comfortable income, enough to live on, based on doing what they love to do; whether or not they feel the same is irrelevant because you continually say that ALL of us fans in this "community" want them to "make it" as in being multi-millionaires, and that couldn\'t be further from the truth.
Really though, I am a graphic artist by trade, I love to do it (sometimes), does that mean I need to be the next Michaelangelo of the digital world and make millions of dollars to have "made it" in that industry? I\'d have to say **** no. As long as I am making a fair enough wage that allows me to comfortably support me and my family (hypothetically since I am not married with kids and don\'t have a family yet), and I am happy doing what I am doing, and I have a happy family who supports my career, I\'d have to consider myself as "making it".
Some people are driven. Others are not! Why limit yourself?Leith I\'m not ignorant, I know the difference between generating enough cash to have an operation like moe. as opposed to the cash cow names he\'s throwing at us. Sure a band produces a record to make money. But that ISN\'T the sole reason. Oh, and I never said an artist has to be poor to make good art. I said as long as they make enough to support them and their family doing what they love. You completly missed my point.
Ok, you need to go to school and start taking notes.
Sure a band produces a record to make money.
Trey, you do not produce a record to make money. Albums are used as promotional tools by the labels. Bands make their money on merchandising and touring. Not on record sales. The band has to pay the label back for the cost of making the album + expenses.
Ice Cube is the difference in this sense. He funded his latest album on his own and hired The Firm to market it and EMI to distribute it. Cube made about $6 per album. He did good, but he was able to do it since he had the
CAPITAL to fund it and the relationships to do it on his own.
P.S., his live show is great. He sings verses of NWA songs through out the whole night to complete the songs.