I don\'t seem to have the past couple issues of Relix, but can anyone tell me if the album was even reviewed in it? if so, great, but if not, whats it take to get it on there? also, they have those sample discs that come w/ every issue, what can the band do to get a track on one of those? any input would be greatly appreciated.
just got latest issue with les claypool on the cover. no breakfast on cd sampler. no moxie epoxy review but I have missed the past couple issues before that.
The sample track(s) sounds like a great idea. Make it happen!
Sequia, I saw an organist that looks a lot like you last night. Almost thought "J.G." was on a national tour for a minute.
The sample track(s) sounds like a great idea. Make it happen!
Sequia, I saw an organist that looks a lot like you last night. Almost thought "J.G." was on a national tour for a minute.
kool what band was he in?
he sure wasn\'t in the breakfast :sarcasm:
he sure wasn\'t in the breakfast :sarcasm:
He\'s touring with Wild Pack of Asscracks - A tribute to Psychedelic Breakfast.
:dance1:
i went to the website the other day looking for a review of the album but instead found a big picture of the promo pic on the front page. i was\'nt too disapointed
yeah they did a review of the freakout where they mention the new album but no actually review of it they I have seen.
http://www.relix.com/content/view/1915/112/
Toad’s Place, New Haven, CT
October 27, 2006The show was billed as “The Breakfast’s 8th Annual ‘Fonghoulish Freakout’ Halloween Party and Costume Ball,” and signified a long-awaited homecoming from a lengthy road trip. As a result, the hardwood floor at Toad’s Place rumbled with anticipation as a costumed Breakfast took the stage.
There was no introduction, no welcome speeches and no banter to open the show. The band got right down to business, opening with a highly danceable drum beat from drummer Adrian Tramontano that pulsated alone for a few moments before the band launched into its opener, “May Fly Disarray.” The music was relentless and injected energy into an already intense, costumed crowd.
Early into its first set, the band launched into the highly progressive “Psygn,” which is the opening track on the new album, Moxie Epoxy. If the studio recording captured half the energy in the live performance of the song, it should be a great opener. Still in the first set, the band embarked on a jam at the end of “See the Light,” worth noting for Ron Spears’ bouncing bass line and the brilliant, ambient color provided by Tim Palmieri’s guitar. On the next song, an up-tempo 12-bar blues called “Tricky Ways,” Palmieri did double duty, soloing on both guitar and keyboards, and proving to be equally impressive on both.
The second set belonged to drummer Tramontano. His mid-set drum solo was jaw-dropping, and he added both complexity and intensity to the second set’s straight-ahead rock covers, Grand Funk Railroad’s “American Band” and Nirvana’s “Lithium.”
The highlight of the night was the funky (and a bit silly) original tune “Taboo or Not Taboot,” which fit in nicely with the lunacy of the band and the added comic relief of their costumes: Palmeiri as Jimi Hendrix, complete with a four-foot diameter afro wig; Spears as some sort of bizarre nutcracker with indescribable futuristic glasses; and Tramontano cleverly disguised as the drummer for The Breakfast.
“Taboo or Not Taboot” also showed what had been evident throughout the night: When it comes to pure musicianship, the members of The Breakfast can stand up with any jam or progressive band in America.hehe...was it that hard to tell that Save was Les Claypool, and Adrian was Neil Pert?
anyways...would be nice to see a follow-up review of Moxie Epoxy in an upcoming issue...
Hey nice review. I think Ron\'s costume was pretty obvious (though without the glasses I would have guessed Sgt. Pepper\'s) but I thought Adrian\'s costume was nigh-impossible to figure out until someone told me who he was supposed to be.
Anyhow... back to the matter at hand....